“You got this”, installation view, Minerva, Sydney, February 8 – March 1, 2025
“You got this”, installation view, Minerva, Sydney, February 8 – March 1, 2025
Dylan Marriott, “Tears for Eliza”, 2024. Archival pigment print in stained victorian ash frame with anti-reflective glazing, 400 x 600 mm, 420 x 620 mm (framed). Ed 2/8 + 2AP.
Dylan Marriott, “Untitled (Blue Landscape)”, 2024. Hand printed chromogenic print in stained victorian ash frame with anti-reflective glazing, 600 x 900, 620 x 920 mm (framed). Ed. 1/5 + 2AP.
Dylan Marriott, “Assumption”, 2025. Archival pigment print in stained victorian ash frame with anti-reflective glazing. 900 x 600 mm, 920 x 620 mm (framed). Ed. 1/5 + 2AP.
Dylan Marriott, “Small Mary”, 2022. Archival pigment print in stained victorian ash frame with anti-reflective glazing, 350 x 250 mm, 370 x 270 mm (framed). Ed. 1/5 + 2AP.
“You got this”, installation view, Minerva, Sydney, February 8 – March 1, 2025
Anthea Duffy, “Query”, 2024. Bitumen rubber, pigmented Builders Bog, snorkel intake pipe, pigmented polyurethane resin, string, 2 pieces; wall 260 x 180 x 160 mm
Anthea Duffy, “Query”, 2024. Bitumen rubber, pigmented Builders Bog, snorkel intake pipe, pigmented polyurethane resin, string, 2 pieces; floor 370 x 120 x 180 mm.
Will Benedict, “Stop and Frisk”, 2013 Offset print, 1400 x 100 mm (print), 1420 x 1020 mm (framed). Ed of 10 + 2AP.
James Little, “youtu.be/z7_LwuuPsAE”, 2025. PLA, 210 x 220 x 60 mm
“You got this”, installation view, Minerva, Sydney, February 8 – March 1, 2025
James Little, “youtu.be/L3PAHRzIBnA”, 2025. Inkjet print on glossy photo paper on aluminium panel, steel, PLA, 330 x 450 mm.
Dylan Marriott, “Refuse Process”, 2022. Hand printed chromogenic print, 1200 x 1500 mm. Ed 1/3 + 1AP.
James Little, “youtu.be/mexs39y0Imw”, 2025. Inkjet print on glossy photo paper on aluminium panel, steel, PLA, 450 x 330 mm.
Anthea Duffy, “Doldrum”, 2024. Encaustic wax, beeswax, metal swarf, found cord, 150 x 680 x 120 mm
“You got this”, installation view, Minerva, Sydney, February 8 – March 1, 2025
Mitchell Davis, “Crescent reflection”, 2024. Tent, tarpaulin, cotton thread, polythene sheeting and masking tape, 2250 x 2700 mm
Charlotte Simpson, “Fate of the world”, 2023. Beeswax, 2 pieces; both 300 x 300 x 850 mm
Mitchell Davis, “Sorcerer”, 2024 Steel and found hooks, 2030 x 870 x 500 mm
“You got this”, installation view, Minerva, Sydney, February 8 – March 1, 2025
Trent Crawford, “Velocities iii (Tullio Crali)”, 2024 Debossed archival inkjet print on baytra paper, 840 x 710 mm, 940 x 810 mm (framed). Ed 2/3 + 2AP. Trent Crawford is represented by Animal House Fine Arts E Brunswick VIC
Richard Bell, “Brisbane River”, 2001 Acrylic on canvas, 500 x 860 mm (520 x 880 mm framed). Richard Bell is represented by Milani, Brisbane, QLD
Bridget Stehli, “The Painter”, 2025. Oil on mounted paper, artist’s frame, 240 x 390 mm.