“Rage for Order”, 2016, black & white silver gelatin photogram, 121 × 106 cm

“Two Chairs”, 2016, black & white silver gelatin photogram, 118 × 106 cm

“How she had recomposed”, 2016, black & white silver gelatin photogram, 107 × 152 cm

“Spring 1883″, installation view, The Hotel Windsor, Melbourne, 17 August —21 August, 2016

“Partitioned”, 2016, black & white silver gelatin photogram, 25 × 20 cm

“I know a soul”, 2016, black & white silver gelatin photogram, framed, 30 × 25 cm photo: Matthew Stanton

“Affirmative”, 2016, black & white silver gelatin photogram, 25 × 20 cm

“Objective Confess”, installation view, Minerva, Sydney, 29 April –11 June, 2016

“Adorno/Bueller” (still), single channel video, 13 minutes 28 seconds

“Adorno/Bueller” (still), single channel video, 13 minutes 28 seconds

“Adorno/Bueller” (still), single channel video, 13 minutes 28 seconds

“A/B Abstract”, diagram on paper, 25 × 18.5 cm

“Objective Confess”, installation view, Golden Gallery, Chicago, 2011

“A/B Extract; Ed Ruscha, City, 1968, Custom Blur: Surface Blur radius 100 + threshold 2, Surface Blur radius 10 + threshold 203, Surface Blur radius 20 + threshold 85, Guassian blur radius 16.5”, 2011, Lambda print, 140 × 122 cm

“A/B Extract; Richard Hamilton, Towards a Definitive Statement on the Coming Trends in Men’s Wear and Accessories (c) Adonis in Y-Fronts, 1962, Custom Blur: Surface Blur radius 77 + threshold 56, Surface Blur radius 42 + threshold 80, Surface Blur radius 58 + threshold 65, Guassian blur radius 1.5”, Lambda print, 60 × 82 cm

“30 seconds”, 2015, Wildfire 18% Pepper Spray Stream & Wildfire 18% Pepper Gel on canvas, 43 × 51 cm

“385 seconds / inactive” Wildfire 18% Pepper Spray Stream on canvas, 178 x 208 cm, installation view, September 20, 2015 photo: Matthew Stanton

“Object with the Sound of Its Own Discourse”, A1 BH0 cardboard Amazon box, sound, 5 minutes 44 seconds, 2013 Houston, 2014 Gainesville, 2015 Sydney

“Titled”, installation view, Ideas Platform, Artspace, Sydney, 2015 photo: Adrian Gebers