Ellie Kingston-Hogg, “23-2”, 2022 Oil on canvas 90 x 80 cm

L: Alethea Everard “Journalist”, 2020 Enamel on pine 120 x 90cm. R: Gabriel Curtin, “Just Guzzling”, 2021 Synthetic polymer paint on linen 46 × 35.5 cm

Onrie Radovic, “2020-21 … (Sign)”, 2021 Acrylic on aluminium panel 41 x 31 cm (detail)

L: Christopher LG Hill and Joshua Petherick ,”Time Out #9”, 2018 Apparel, synthetic hair, latex, bamboo, cardboard, bubble wrap and tape 95 x 38 x 28 cm Courtesy Robert Heald Gallery, Wellington NZ R: Onrie Radovic, “Mirror”, 2022 Acrylic on aluminium panel 60 x 40 cm

Charlotte Simpson,“Things that have happened”, 2022 Illford metallic gloss 29.7 x 42 cm

Phillippa Hagon, “pleasure eaters”, 2021-2022. Reclaimed fragments and objects, hessian and cement. Dimensions variable.

Hany Armanious, “Untitled”, 2022. Reproduction of 2001 ink jet print 110 x 134 cm (image dimensions).

Fergus Binns, “The Watchful Eye”, 2020. Acrylic on board. 70 x 60 cm.

L: Fergus Binns, “Please don’t call me a Koala Bear. Thanks”, 2014. Oil on board. 60 x 60 cm. R: Gabriel Curtin, “Bad Residue”, 2021. Synthetic polymer paint on linen. 51 × 35.5 cm.

Zoë Marni Robertson, “Technofeudalism I: Meta Cephalophore”, 2022. Lime wash on (soiled)(discarded) cotton (bedsheet). 210 x 210 cm (approx).

Lewis Doherty, “Attendant”, 2022. Mild steel, epoxy resin, sand, PVC pipe. 57 x 25 cm (includes stand).

R: Joshua Petherick “Souvenir (3)” and “Souvenir (4)”, 2020 patinated fibreglass, epoxy, foam, approx. 100 x 22 x 7cm each.

Luke Sands “untitled”, 2019. Chewed canvas. 313 x 184 cm.

Luke Sands “untitled”, 2019 Chewed canvas 313 x 184 cm (detail)

Joshua Petherick, “Souvenir (3)”, 2020 Patinated fibreglass, epoxy, foam 101 x 21.5 x 7 cm Joshua Petherick, “Souvenir (4)”, 2020 Patinated fibreglass, epoxy, foam 100 x 22 x 7 cm

L: Darcy Wedd “Untitled IV”, 2022. Dust (aluminium, steel, wood, acrylic, copper, brass, micarta), lemel, cleargun glue, varnish on cotton blend. 57 x 57 cm. R: Pearl Smith “The World in a Square”, 2021. Oil on canvas. 61 x 61 cm.

Darcy Wedd “Untitled IV”, 2022 Dust (aluminium, steel, wood, acrylic, copper, brass, micarta), lemel, cleargun glue, varnish on cotton blend 57 x 57 cm (detail)

Zoe Marni Robertson “Technofeudalism II: Great Replacement”, 2022. Lime wash on (discarded) poly/cotton (bedsheet). 120 x 120 cm.

L: Zoë Marni Robertson, “Design Classic: Control (Nostalgia for a Future)”, 2022 Acrylic on (found) masonite. 121 x 121 cm (approx). R: Zoë Marni Robertson, “Design Classic: Control (Mutually Assured Destruction)”, 2022. Acrylic on (found) masonite. 121 x 121 cm (approx).

Gabriella Lo Presti, “From Away (Please Wait)”, 2017. UV digital print on synthetic paper. 275 x 180 cm.

Gabriella Lo Presti, “From Away (Please Wait)”, 2017 UV digital print on synthetic paper 275 x 180 cm