Minerva Offsite, “Fun House″, installation view, 33 Guildford Lane, Melbourne, 31 January – 28 February, 2015

Minerva Offsite, “Fun House″, installation view, 33 Guildford Lane, Melbourne, 31 January – 28 February, 2015

Lewis Fidock, “Sucky Tit”, 2015, plasterboard, Andean quinoa, Iranian barberries, Australian bee pollen, freeze-dried Acai berries, boat paint, acrylic paint, damar varnish

Andy Boot, “coconut”, 2013, sticker, acrylic paint on canvas, 900 × 700 mm

Fayen d’Evie, “On Nature (Edited Fiction as Landscape)”, 2013/14, engraved glass, Queensland walnut heartwood, Victorian ash, 470 × 644 mm

Marian Tubbs, “dirt”, 2014, digital print on silk, 100 × 135 mm

Minerva Offsite, “Fun House″, installation view, 33 Guildford Lane, Melbourne, 31 January – 28 February, 2015

Marian Tubbs, “messmates”, 2015, found materials, breakable glass and towel, dimensions variable

Hamishi Farah, “Hamishi’s Will”, 2015, artist’s cushion stolen from Shebeen, laminated photocopies, dimensons variable

Jonny Niesche, “I see the stars come out tonight. I see the bright and hollow sky. Over the city’s ripped backsides. And everything looks good tonight.”, 2015, steel, acrylic, voile, 1200 × 1560 × 25 mm

James Deutsher, “An education in exposure”, 2011/15, MV Agusta 675cc three cylinder dry engine with chrome and powder coat detailing, powder coated steel frame, dimensions variable

Joshua Petherick, “Capitulating Study 1”, 2014, hand-pulped paper, synthetic hair, approx. 450 × 530 mm

Minerva Offsite, “Fun House″, installation view, 33 Guildford Lane, Melbourne, 31 January – 28 February, 2015

Guy Benfield, “Nairobi High/After Work”, 2013, video still, single channel HD video, 10:10 duration, edition of 5 including 1AP

Minerva Offsite, “Fun House″, installation view, 33 Guildford Lane, Melbourne, 31 January – 28 February, 2015

Joshua Petherick, “Capitulating Study 2”, 2014, hand-pulped paper, synthetic hair, approx. 450 × 530 mm

Hamishi Farah, “pics or it didn’t happen”, 2014, 8 hardcover books (“curators”, “image surplus”, “life aint nothin but a sandwich”,“monoculture:standing together”, “your pictures deserve more lies”, “use this book’s static energy to charge your phone”, “flattening and other actions”, “alien selfies”), each 244 pages, edition 1/3

Johnny Niesche, “We refer to a thing but have no name for the smell”, 2014, voile, wood, acrylic mirror, 1200 x 1200 x 25 mm