Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

JD Reforma, “Looking at you master”, 2014, Single-channel HD video, 17 minutes 0 seconds. Jana Hawkins-Anderson, “The Ecstasy of the Useless I”, 2015, archival giclée print on centurion metallic pearl paper, 47 × 35.25 cm. Jana Hawkins-Anderson, “The Ecstasy of the Useless II”, 2015, archival giclée print on centurion metallic pearl paper, 47 × 35.25 cm

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Ricarda Bigolin & James Deutsher (Espresso Research), “HC SVNT DRACONES V1.3 / #RENZOLANG WALL WORK”, 2015, silk screen pigment & foil transfer on Indigo raw denim, framed 150 × 234 cm. Andy Boot, “Untitled (black)”, 2015 Rhythmic gymnastic ribbon, wax, frame 100 x 70 cm

Ricarda Bigolin & James Deutsher (Espresso Research), “HC SVNT DRACONES V1.3 / #RENZOLANG JACKETS”, 2015, Denim jacket construction made from silk screen pigment & foil transfer on Indigo raw denim, cotton indigo threat and steel hardware, S, M , L, XL, XXL, limited edition to 60m of fabric

Andy Boot, “Untitled (black)”, 2015 Rhythmic gymnastic ribbon, wax, frame 100 x 70 cm. Anthea Behm, “A/B Extract; Ed Ruscha, City, 1968, Custom Blur: Surface Blur ra- dius 100 + threshold 2, Surface Blur radius 10 + threshold 203, Surface Blur radius 20 + threshold 85, Gaussian blur radius 16.5”, 2011, Giclée print (framed on bed), 155 × 136 × 3 cm

Josey Kidd-Crowe, “barbar ba bar”, 2015, sand, shoelaces, comb, button, oil on canvas

Andy Boot, “Untitled”, 2015, laser cut and powdercoated MDF, brass, 4 panels, each panel 215 × 89 × 2.5 cm, overall 215 × 356 × 2.5 cm

Joshua Petherick, “Capitulating Study 1”, 2014, hand-pulped paper, synthetic hair, 45 × 53 cm

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Jonny Niesche, “( ) VII”, 2015, Voile, Wood, 120 × 120 × 2.6 cm. Jonny Niesche, “( ) V”, 2015, Voile, Wood, 120 × 120 × 2.6 cm

Marian Tubbs, “modality”, 2015, pigment print on silk, ply artist frame, 70 × 110 cm. Marian Tubbs, “uhbskyooruhnt”, 2015, pigment print on silk, ply artist frame, 70 × 110 cm

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Puppies Puppies, “bonelesss.mov”, 2013, Single-channel HD video, 1minute 45 seconds. Josey Kidd-Crowe, “Museums of America”, 2015, marker, oil and museum wax on stretched beanbag material canvas.

Andre Piguet, “washi”, 2015, marker on photocopy / ink on japanese tissue (two parts), 30 × 21 cm. Andre Piguet, “curtain”, 2015, ink on paper / ink on japanese tissue (two parts), 30 × 21 cm.

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Jonny Niesche, ‘Sunbathers’, 2015, voile, acrylic, flasche, and euromir

Andy Boot, “untitled”, 2015, lacquer on cut metal structure, 60 × 50 cm. Andy Boot, “untitled”, 2015, lacquer on cut metal structure, 60 × 50 cm

Lewis Fidock, “Mighty Big Soapbox For An Ant”, 2012 cast solid gold coin, dimensions variable

Lupo Borgonovo, “Maialito”, 2014, silicone rubber, pigments, 60 × 30 × 95 cm. Lupo Borgonovo, “Maialito”, 2014, silicone rubber, pigments, 60 × 30 × 95 cm

Andre Piguet, “garden”, 2015 ink on paper, 35 × 22 cm. Andre Piguet, “pulse-demon”, 2015, ink on paper / marker, ink, coloured pencil on paper, (two parts) 35 × 22 cm