“Vine St”, installation view, Minerva, Sydney, August 17 – September 14, 2024
“Vine St”, installation view, Minerva, Sydney, August 17 – September 14, 2024
“Vine St”, installation view, Minerva, Sydney, August 17 – September 14, 2024
“Vine St”, installation view, Minerva, Sydney, August 17 – September 14, 2024
“Vine St”, installation view, Minerva, Sydney, August 17 – September 14, 2024
“Vine St”, installation view, Minerva, Sydney, August 17 – September 14, 2024
“Vine St”, installation view, Minerva, Sydney, August 17 – September 14, 2024
“Vine St”, installation view, Minerva, Sydney, August 17 – September 14, 2024
“Vine St”, installation view, Minerva, Sydney, August 17 – September 14, 2024
“Vine St”, installation view, Minerva, Sydney, August 17 – September 14, 2024
Emily Taylor, “Fabricated Air (Clay)”, 2024. Inkjet print on Ilford Smooth Cotton Rag Paper, 59.4 × 79.1 cm. Edition of 5 + 1 AP.
Emily Taylor, “Fabricated Air (Aluminium Foam)”, 2024. Inkjet print on Ilford Smooth Cotton Rag Paper, 59.4 × 79.1 cm. Edition of 5 + 1 AP.
Emily Taylor, “Fabricated Air (Salt)”, 2024. Inkjet print on Ilford Smooth Cotton Rag Paper, 59.4 × 79.1 cm. Edition of 5 + 1 AP.
Nicola Smith, “‘What does he want to know?’ (Wiktor and Zula lying in the grass)”, 2020. Oil on Belgian linen, 61 x 84 cm. Nicola Smith, “‘Things… What you did during the war. If you listen to Radio Liberty. If you have dollars. If you believe in God.’ (Wiktor and Zula lying in the grass)”, 2020. Oil on Belgian linen, 61 x 84 cm.
Abella D’Adamo, “Gyaru Lover Nightmare”, 2023. Acrylic paint, textas, photographic print, glue, glitter, watercolour and oil pastel on canvas, 100 X 100 cm.
Bridget Stehli, “Black Magic”, 2024. Oil on canvas, artist-made frame, 26.5 x 42.5 cm.
Bridget Stehli, “The Circle”, 2024. Oil on canvas, artist-made frame, 26.5 x 42.5 cm.
Emryn Ingram-Shute, “Plucked”, 2022 Archival photographic print on German Hahnemuhle etching paper, aluminium, 61 x 54 cm. Courtesy of Dominik Mersch Gallery.
Erin Murphy, “Chip”, 2024. Oil on canvas, 45 x 55 cm.
Frances Waite, “‘The Picts’”, 2023. Foam, wire, pins, acrylic paint, clay, fabric, 56 x 60 x 20 cm.
Grace Anderson, “Happy”, 2024. Acrylic, oil and oil stick on linen, 250 x 200 cm.
Emryn Ingram-Shute, “He Had Short Shorts and a Blonde Moustache”, 2021. Pine, foam and black PVC stretch material, 135 x 98 x 140 cm (assembled). Courtesy of Dominik Mersch Gallery.
Taylor Steel, “crybaby”, 2024. Polycarbonate, epoxy resin, toner, clear film, aluminium composite panel and stainless steel, 61.5 x 45 cm.
Taylor Steel, “loverboy (open your mouth)”, 2024. Polycarbonate, epoxy resin, toner, clear film, aluminium composite panel and stainless steel, 61.5 x 45 cm.
Taylor Steel, “why did you choose tonight to haunt me?”, 2024. Polycarbonate, epoxy resin, toner, clear film, aluminium composite panel, stainless steel, and aluminium frame, 61.5 x 45.5 cm.
Adele Warner, “untitled (penthouse vista)”, 2024. Oil on canvas, 76.5 x 91.5 cm.
Gemma Topliss, “Badge (red)”, 2024. Synthetic polymer paint, modelling clay, drum skin, balsa, iron, resin, 74 x 74 x 4 cm.