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“In Practice: Material Deviance”, installation view, Sculpture Center, New York, January 29 – March 27, 2017, photograph: Kyle Knodell
“In Practice: Material Deviance”, installation view, Sculpture Center, New York, January 29 – March 27, 2017, photograph: Kyle Knodell
“damping”, 2016, pigment print on chromate centurion paper, 45 x 60 cm
“viscous orbit”, 2016, pigment print on chromate centurion paper, 45 x 60 cm
“modality”(detail), 2015, pigment print on silk, 70 x 100 cm
“under striates 2″ (detail), 2014, digital print on micro-georgette, wood, steel, rubber, 3D printed polymer, marble, dimensions variable
“under striates 2″, 2014, digital print on micro-georgette, wood, steel, rubber, 3D printed polymer, marble, dimensions variable
“Contemporary Monsters”, installation view, Minerva, Sydney, 29 July — 3 September, 2016
“untitled”, 2016, digital print on vinyl, acrylic, 50 × 60 cm
“it’s a crush thing”, 2016, digital print on vinyl, acrylic, 50 × 60 cm
“Contemporary Monsters”, 2016, two-channel digital video, jelly shot glasses, gel wax, car air freshener, sheepskin, enamel paint, cereal, LED lights, computer tower, 11 minutes, 19 seconds
“Contemporary Monsters”, 2016, two-channel digital video, jelly shot glasses, gel wax, car air freshener, sheepskin, enamel paint, cereal, LED lights, computer tower, 11 minutes, 19 seconds
“ABSTRACT SEX*” curated by Dana Kopel, installation view, Bard College, Annandale-on-Hudson, New York, 8 – 29 May, 2016
“ascendence in flow”, 2016, copper, gel wax, clay, 152 × 17.5 cm
“to be brutal is to stand out” (detail), 2016, copper, gel wax, breakable glass, plastic, 55 × 55 cm (pair)