Minerva, “Spring 1883”, installation view, The Hotel Windsor, Melbourne, 14 August – 17 August, 2014

Hany Armanious, “Snake Oil”, 1997, hotmelt, oil paint, (free form) 6 pieces, dimensions variable (includes 4 crates/ plinths). Courtesy of Roslyn Oxley9 Gallery

Fayen d’Evie, “Much appreciated, thanks”, 2014, aerosol acrylic paint, dye sublimation acrylic painting on stainless steel, copper sheet, 350 × 500 mm

Fayen d’Evie, “I said THAT?”, 2014, aerosol acrylic paint, dye sublimation acrylic painting on stainless steel, engravers’ brass, 350 × 500 mm

Jonny Niesche, “( ) iv”, 2014, voile and wood 1200 × 1200 mm, “Mystic Massmatix”, 2014, voile and wood 1200 × 1200 mm

Minerva, “Spring 1883”, installation view, The Hotel Windsor, Melbourne, 14 August – 17 August, 2014

Andy Boot, “Meliorates” (detail), 2014, watercolour on canvas, 1600 × 1300 mm. Courtesy Croy Nielsen, Berlin

Helen Johnson, “We were wrong”, 2014, synthetic polymer paint on canvas, 860 × 610 mm

Joshua Petherick, “Scalper IV”, 2014, hand-pulped paper, carbon, synthetic hair, spirulina, 570 × 460 mm

Fayen d’Evie, “12-Step Programme”, 2014, engraved text, two crystal decanters, eight crystal low-balls, Laphroaig and Tallisker whiskeys, dimensions variable

Fayen d’Evie, “12-Step Programme” (detail). 2014, engraved text, two crystal decanters, eight crystal low-balls, Laphroaig and Tallisker whiskeys, dimensions variable

James Deutsher,“The Godfather Pt. 3 (parts one – three)”, 2014, oil on linen, gilt frame, 660 × 1074 mm each. Fayen d’Evie, “12-Step Programme”, engraved text, two crystal decanters, eight crystal low-balls, Laphroaig and Tallisker whiskeys, dimensions variable

James Deutsher, “The Godfather Pt. 3 (part two)”, 2014, oil on linen, gilt frame, 660 × 1074 mm

Alex Vivian, “Untitled (An ongoing thing)”, 2014, vaseline on mirror, an installation (buyer provides mirror). Marian Tubbs, “Vulgar Latin”, 2014, HD video colour and sound, 5 minutes 39 seconds. Hany Armanious, “Snake Oil”, 1997 hotmelt, oil paint, (free form) 6 pieces, dimensions variable (includes 4 crates/ plinths). Courtesy of Roslyn Oxley9 Gallery, Sydney

Joshua Petherick, “Scalper I & II”, 2014, hand-pulped paper, carbon, synthetic hair, 570 × 460 mm. Marian Tubbs, “I+D”, 2014, video colour and sound, 2 minutes 05 seconds. Edition 1/2 + 1 AP

Joshua Petherick, “Scalper II”, 2014, hand-pulped paper, carbon, synthetic hair, 570 × 460 mm

Alex Vivian, “Untitled (An ongoing thing)”, 2014, vaseline on mirror, an installation (buyer provides mirror). James Deutsher, “The size of a Saint Laurent shoe box (threat)”, 2014, marble, powder coated steel, silicone, glazed ceramic 430 × 475 mm

Alex Vivian, “Untitled (An ongoing thing)”, 2014, vaseline on mirror, an installation (buyer provides mirror). James Deutsher, “The size of a Saint Laurent shoe box (threat)”, 2014, marble, powder coated steel, silicone, glazed ceramic, 430 × 475 mm