
‘Way to go’, installation view, Minerva, Sydney, 2025.

‘Way to go’, installation view, Minerva, Sydney, 2025.

‘Way to go’, installation view, Minerva, Sydney, 2025.

Ava Seymour, ‘Double Black Cat’, 2024. Paper, gudy tape. 315 x 228mm.

Ava Seymour, ‘Three White Cats (Frowning)’, 2025. Paper, gudy tape. 315 x 228mm.

Ava Seymour, ‘Double Brown Burmese’, 2025. Paper, gudy tape. 315 x 228mm.

Ava Seymour, ‘Triple Kitten’, 2024. Paper, gudy tape. 315 x 228mm.

Ava Seymour, ‘Three White Cats’, 2024. Paper, gudy tape. 315 x 228mm.

Beth Maslen, ‘Magic Fish’, 2025. Archival inkjet print on dibond in artist frame. ed. 1/2 + 1 ap. 830 x 1230mm. Courtesy of Animal House Fine Arts.

Beth Maslen, ‘Magic Fish’, 2025. Archival inkjet print on dibond in artist frame. ed. 1/2 + 1 ap. 830 x 1230mm. Courtesy of Animal House Fine Arts.

‘Way to go’, installation view, Minerva, Sydney, 2025.

Rudi Williams, ‘2018, Canal Street, New York City, United States of America I’, 2025. Hand printed chromogenic print on Dibond, water based ink. ed. 1/5 + 2 ap. 960 x 1470 mm.

Rudi Williams, ‘2018, Canal Street, New York City, United States of America II’, 2025. Hand printed chromogenic print on Dibond, water based ink. ed. 1/5 + 2 ap. 960 x 1470 mm.

‘Way to go’, installation view, Minerva, Sydney, 2025.

Destiny Deacon, ‘Fish out of water (C)’, 2017. Lightjet print. ed of 5 + 2 aps. 980 x 795 mm (framed). Courtesy of The Estate of Destiny Deacon and Roslyn Oxley9.

Destiny Deacon, ‘Fish out of water (B)’, 2017. Lightjet print. ed of 5 + 2 aps. 980 x 795 mm (framed). Courtesy of The Estate of Destiny Deacon and Roslyn Oxley9.

‘Way to go’, installation view, Minerva, Sydney, 2025.

Rudi Williams, ‘2017, Munster, Germany’, 2025. Hand printed chromogenic print on Dibond, water based ink. ed. 1/5 + 2 ap. 960 x 1170 mm.

Taylor Steel, ‘shrine’, 2024. Polycarbonate, epoxy resin, toner, acetate, acrylic and steel hardware, aluminium frame. 310 x 255 mm.

‘Way to go’, installation view, Minerva, Sydney, 2025.

‘Way to go’, installation view, Minerva, Sydney, 2025.

Sophie Cassar, ‘Self restraint I’, 2024. Archival print, inkjet on cotton rag. ed. of 2. 406 x 559mm framed (Victorian Ash)

Sophie Cassar, ‘Self restraint II’, 2024. Archival print, inkjet on cotton rag. ed. of 2. 406 x 559mm framed (Victorian Ash).

Sophie Cassar, ‘Self restraint III’, 2024. Archival print, inkjet on cotton rag. ed. of 2. 406 x 559mm framed (Victorian Ash).
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